Position: Associate Professor
Department: English Language and Literature
Campus Address: Anspach 229
ENG 101, 201, 324, 381, 482, 580, 582, 681, HON 321 HON Study Abroad
Area(s) of Expertise
Children's and Young Adult Literature, Popular Culture, Illustrated Texts (Comics, Graphic Novels & Picture Books), Late-Nineteenth, Twentieth, and Twenty First-Century Literature and Culture, Bakhtinian /Narrative Theory, Walt Whitman
Degrees and Universities
Ph.D. English, University of Kansas, May 2007
Specialties: Children’s and Adolescent Literature/ American Literature
M.A. English, Marquette University, May 2002
Specialties: British/American Literature
B.S.E. Secondary English Education, Missouri Western State University, May 2000
B.A. Writing-Intensive English Journalism, Marquette University, May 1998
Co-authored with Gretchen Papazian Game On, Hollywood: The Intersection of Video Games and Movies. Jefferson, NC: McFarland, 2013. Print.
co- authored withTodd Comer Sexual Ideology in the Works of Alan Moore. Jefferson, NC: McFarland, 2012. Print.
Refereed Articles and Book Chapters
“Manifest Narrativity: Video Games, Movies, and Art and Adaptation,” Game On, Hollywood: The Intersection of Video Games and Movies. Jefferson, NC: McFarland, 2013. 8-19. Print.
“C. S. Lewis’ Manifold Mythopoeics: Towards a Reconsideration of Eschatological Time in the Construction of the Post-World Wars Fantasy Novel for Children,” New Casebooks – C.S. Lewis: The Chronicles of Narnia Ed. By Lance Wendy and Michelle Abate. London: Palgrave Macmillan, 2012. 90-112. Print.
“The Traumatic Revision of Marvel’s Spider-Man: From 1960s Dime-Store Comic Book to Post-9/11 Moody Multi-Billion Dollar Motion Picture Franchise.“ Children’s Literature Association Quarterly 37 (Summer 2012) 188-209. Print.
“Lost in the Revolution: The Polarizing of Alan Moore’s Sexual Politics,” Sexual Ideology in the Works of Alan Moore. Jefferson, NC: McFarland, 2012. 5-15. Print.
"When ‘One Bad Day’ Becomes One Dark Knight: Love, Madness and Obsession in the Adaptation of The Killing Joke into Christopher Nolan’s The Dark Knight,” Sexual Ideology in the Works of Alan Moore. Jefferson, NC: McFarland, 2012. 40-51. Print.
“Crooked Appalachia: The Laughter of the Melungeon Witches Contextualized within the Outsider Mythos of Mike Mignola’s Hellboy.“ Comics and the American South. Ed. Brannon Costello and Qiana Whitted. U Mississippi P (2011) 214-241. Print.
Co-authored with Amy
Hume. “The Other Edward: Twilight’s Queer Construction of the Vampire as
an Idealized Teenage Boyfriend.” Bringing
Light to Twilight: Perspectives on a Pop Culture Phenomenon.
Ed. By Giselle Anatol. NY: Palgrave. 2011 153-68. Print.
“Godey’s Lady’s Book: Sarah Hale and the Construction of a Sentimental Nationalism” College Literature 37 (Summer 2010) 43-62. Print.
“’Are You There, Reader? It’s Me, Margaret’: A Reconsideration of Judy Blume’s Prose as Sororal Dialogism." Children’s Literature Association Quarterly 33 (Fall 2008) 258-279. Print.