Mcdermott, Kristen

• The Life and Times of William Shakespeare.  Co-author with Ari D. Berk, Templar Publishing, 2010.
• Masques of Difference: Four Court Masques by Ben Jonson (edited texts). Student Revels Editions, gen. ed. David Bevington, Manchester University Press, 2007.
• Staff Book Reviewer, Historical Novels Review, 2016-present
  
• “Busking for the Queen of Faerie: Elizabethan Playwrights in Contemporary Fantasy Fiction.” Selected Papers of the Ohio Shakespeare Valley Conference VII (2016).  
  
• “Carnivale on Shakespeare’s Stage.” Mythic Passages, February, 2007.
• “The State He Should Envy” (short story) and “Hermione in Prison” (poem). Contexts: A Creative Journal. Toledo: Mercy College of Northwest Ohio (Fall 2006): 38-43.
• “Jonson’s Gossips and the Stuart Family Drama,” Early Theatre 9.1 (2006): 61-83.
• “Playing Fairy: Puck and Pan Onstage,” Realms of Fantasy (April 2006): 22-31. Reprinted, The Endicott Journal of Mythic Arts (online journal), ed. Terri Windling,
• Theatrical review: “Sejanus and Sir Thomas More in the RSC 2005 Gunpowder Season,” Theatre Journal 58.1 (2006): 127-31.
• “Angels and Ministers of Grace: Theatrical Superstitions,” Realms of Fantasy (April 2005): 14-21. Reprinted, The Endicott Journal of Mythic Arts (online journal), ed. Terri Windling, Winter 2005,
  
• “Shakespeare and the English Holiday Calendar,” Realms of Fantasy (August 2003): 16-26. Reprinted, The Endicott Journal of Mythic Arts (online journal), ed. Terri Windling, Summer 2003,
• “’To blanch an Ethiop’: Jonson’s Masque of Blackness and Multicultural Approaches to Early Modern Literature.” Language Arts Journal of Michigan 18.1 (2002): 18-24.
• Theatrical review: “The Tempest at the New Globe, Summer 2000 Season,” Theatre Journal 52 (2000): 553-54.
• “Staging the Classroom,” Shakespeare 2 (1998): 5-6.
• “’He may be our father, perhaps’: Paternity, Puppets, Boys and Bartholomew Fair,” in Critical Essays on Ben Jonson, ed. Robert N. Watson (New York: G.K. Hall, 1997): 60-81.
• “Versions of Femininity in Bartholomew Fair,” Renaissance Papers (1993): 91-115.

Talks and Presentations

• Moderator, Panel Discussion -- “Shakespeare, Music, and Collaboration,” A Shakespeare Cabaret, CMU School of Music
  
• Imagining the Fantastic, Central Michigan University. Introduction/Panel Moderator: “Music of the Fantastic,” 11-12 April 2014
  
• Shakespeare Workshop for The Help Group, Los Angeles, CA March 2013 
  
• Imagining the Fantastic, Central Michigan University. Introduction/Panel Moderator: “Shakespeare and The Sandman: The Art of Charles Vess,” 15-16 April 2011
  
• Podcast: "Exploring Beyond the Borders: Breaking the Conventions of Genre in Science Fiction,
• Fantasy, and Horror," Interstitial Arts Foundation August 2012 
• “‘I’ld cry, a rape!’: The Ingle as Critic, ” Shakespeare Association of America; Chicago, IL. April 2010
• “Legitimizing Sodomy in Jonson’s Masque of Gypsies.” Criminality, Liminality, and Imprisonment in the Early Modern Era; Michigan State University, October 24 -25, 2008
• "‘Milk and blood, dew and flood’: Female Sexuality, Food, and Folklore in Jonson” Renaissance Society of America, Chicago, IL, April 2008.
• Panel leader, “Transgression,” Mythic Journeys 2006, Atlanta, GA, June 2006.
• Panel leader, “Second Skins: Costume and the Mythic Imagination,” Mythic Journeys 2006, Atlanta, GA.
• Panel participant, “Stories for a Thousand Years,” Mythic Journeys 2006, Atlanta, GA.
• “Giving them the Willies: The Bard-Haunted Classroom,” MMLA, Chicago, November 2003.
• “‘A spectacle of strangeness’: Folk Sources for Jonson's Masque of Queens” Renaissance Society of America, Toronto, Ont., March 2003
• “Illyria: The Musical: Adapting Twelfth Night for the Georgia Shakespeare Festival,” Seminar Paper for “Shakespeare and Musical Theater,” Shakespeare Association of America; Montreal, Quebec, April 2000.
• “Teaching The Masque of Blackness at Spelman College,” The Southern California Renaissance Conference Fall/Winter Symposium, U.C. Long Beach, February 1998.
• “Teaching With Technology,” Workshop Participant, Shakespeare Association of America, Cleveland, OH, March 1998.
• “Teaching Shakespeare to the Class of 2000,” Workshop Participant, Shakespeare Association of America, Washington, DC, March 1997.
• “Being C.R.A.S.S. in the Classroom” (group presentation), NCTE International Conference on Teaching Shakespeare in Performance, Louisville, KY, March 1996.
• “Investigating the Catch in Twelfth Night,” The Center for Renaissance and Shakespearean Staging, 1995 Conference, Harrisonburg, VA, Summer 1995.

Special Projects

• Editor (with Ari Berk), Folkroots column, Realms of Fantasy Magazine 2008-2010
• Secretary, Execuitve Board, Interstitial Arts Foundation 2006-2008

• UCLA, Ph.D., English; Dissertation: “Locating Jonson in Bartholomew Fair.” Director, Robert N. Watson
• UCLA, M.A., English
• Furman University, B.A., English/Drama, magna cum laude

• Ben Jonson
• the Jacobean Masque
• Shakespeare
• Music in Renaissance/Jacobean Drama
• Images of the body in Renaissance literature
• Theater history and Jacobean comedy
• Theories of comedy in theatrical literature